2019年のコロナウイルスによる行動制限を背景に、自宅の机で過去のネガフィルムを解体、テープや紐による再構成を行った。
荒木経惟や20世紀初頭のフォトグラムに影響を受け、限られた空間で実験的な制作を行い、直接破壊されたフィルムや異物が強烈な物質性を主張。
2020年の目黒区美術館では、展示期間中にコラージュのパフォーマンスを実施。清里写真美術館に収蔵され、意志を感じる作品と評価された。
Against the backdrop of the 2019 action restrictions caused by the coronavirus, he dismantled negative films from the past at his desk at home and reconstructed them with tape and string.
Influenced by Nobuyoshi Araki and early 20th century photograms, he experimented in a limited space, asserting the intense materiality of the directly destroyed film and foreign objects.
In 2020, he will be presenting a collage performance during the exhibition at the Meguro Museum of Art in Tokyo. The work was collected by the Kiyosato Museum of Photography and was acclaimed as a work of will.